Saturday, 25 March 2017

Bury Me In The Pantheon. Twice.

Hi all!

We're now less than two weeks away from the new album and tour. Come and join us!

APRIL
Thu 6th HOVE Brunswick // tickets
Fri 7th LONDON The Monarch // free entry
Sat 8th SOUTHSEA Afternoon Show @ Southsea Sound // tickets
Sat 8th SOUTHSEA Evening Show @ Southsea Sound // sold out
Mon 10th BRISTOL Crofter's Rights // sold out
Tue 11th NOTTINGHAM Bodega // tickets
Wed 12th YORK Fulford Arms // tickets
Fri 14th EDINBURGH Opium // tickets
Sat 15th GLASGOW Hug & Pint // tickets
Sun 16th MANCHESTER Gullivers // tickets

Thanks everyone who snapped up tickets - we had to add an extra Southsea show due to demand, Bristol is sold out too and London looks to be busy. In all honesty, I've lost track of it all slightly amidst the promo activity for the album, but somewhere in amongst it all we released a second song from Get Found called 'Bury Me In The Pantheon', included below for your enjoyment:

https://www.youtube.com/watch?v=FddmQRSF_Zc
Bury Me In The Pantheon, from 'Get Found'

https://www.youtube.com/watch?v=uSI3hIYAmTQ
Bury Me In The Pantheon, live in session at Reading's Rising Sun Arts Centre

It's a bit weird seeing my face in HD, but I'm getting used to it. The video at the RSAC was one of a few shot by Ben Morse with a new toy he'd borrowed from Panasonic, and the results are pretty neat.

Meanwhile, The Ocelot was amongst the publications who had good things to say about Get Found, John Kennedy spun the previously unheard 'The Church of No Commandments' on (don't-call-it-xfm) Radio X plus I sat down and answered questions for PRS' M Magazine and the excellent York bunch One For The Road.

So there. Now we're up to date, my room is stacked high with new albums, t-shirts and other little trinkets to sell and all that remains is to say: see you out there.

xx

Friday, 17 February 2017

Tour dates: an update

Hey all,

I'm writing this late at night on Friday, February 17th and tomorrow I have a hometown show, my first in six months. It'll be a try-out show for some of the songs I'd like to play on tour and there'll be favourites too, all part of my mission to make this upcoming tour the Best Tour Ever.

I figured now the album announcement is out of the way, I might give the tour a little extra push. Here's a reminder of the dates and an update on ticket links etc:

APRIL

Thu 6th HOVE Brunswick // tickets
Fri 7th LONDON The Monarch // free entry
Sat 8th SOUTHSEA Southsea Sound // sold out
Mon 10th BRISTOL Crofter's Rights // tickets
Tue 11th NOTTINGHAM Bodega // tickets
Wed 12th YORK Fulford Arms // tickets
Fri 14th EDINBURGH Opium // tickets
Sat 15th GLASGOW Hug & Pint // tickets
Sun 16th MANCHESTER Gullivers // tickets

All shows with Non Canon
All shows with Helen Chambers exc. Scotland

For those of you who missed out on tickets to Southsea - I feel your pain. Tickets sold out within a few hours for it, so we're working on a solution. I'm told that if you want to register your interest/stay up to date with things for a potential extra Southsea show: usernametakenmusic@gmail.com is the address to email.

Other than that, the amazing Banquet (my favourite indie store) now has 'Get Found' up to order. I've added that link to the previous post, but here they are again:

Xtra Mile Recordings: http://smarturl.it/GetFound-XMR
iTunes: http://smarturl.it/GetFound_iTunes
Banquet: https://www.banquetrecords.com/ben-marwood/get-found/XMR130CD

Stay tuned for more gubbins,
b

Wednesday, 8 February 2017

NEW ALBUM KLAXON!

Ladies and Gentlemen and Gazorpians,

It is with great pleasure that I, Benjamin Marwood, announce at last my third full-length album, herein referred to as Get Found.

Get Found is out on 7th April 2017 on CD/download via the good people at Xtra Mile Recordings, who continue to put up with my shit.

Get Found has thirteen songs on it, and at forty minutes long is at the absolute maximum of my musical attention span:

------------------
Tracklisting begins
------------------

1. Punched In The Mouth (Part 1)
2. The Church Of No Commandments
3. In Black and White
4. Enraptured
5. DNFTTTS
6. Nights
7. I'm Wide Awake It's Boring
8. Bones
9. Baby You're A Mess
10. Bury Me In The Pantheon
11. Kick Out Kick On
12. The Devil Makes Work For Jazz Hands
13. Friends, Close

------------------
Tracklisting Ends
------------------

All songs were written by me, except for Baby You're A Mess which was written (and initially recorded and released) by Tom Crook/Band of Hope. Naturally, the one I didn't write turned out to be the best one and you can hear it on Soundcloud right now:

https://soundcloud.com/benmarwood/baby-youre-a-mess


You can order stuff right over here:
Xtra Mile Recordings: http://smarturl.it/GetFound-XMR
iTunes: http://smarturl.it/GetFound_iTunes
Banquet: https://www.banquetrecords.com/ben-marwood/get-found/XMR130CD


I have various things to say surrounding the writing and recording of this album but that's for another day or maybe never (or, at least, for the liner notes). Suffice to say, I'm incredibly proud of this album and what it represents - so much so, that I'm actually going to try and take to the road for the first time in three years:

APRIL
Thursday 6th BRIGHTON Brunswick*
Friday 7th LONDON Camden Monarch*
Saturday 8th PORTSMOUTH Southsea Sound*
Monday 10th BRISTOL Crofters Rights*
Tuesday 11th NOTTINGHAM Bodega*
Wednesday 12th YORK Fulford Arms*
Friday 14th EDINBURGH Opium
Saturday 15th GLASGOW Hug and Pint
Sunday 16th MANCHESTER Gullivers*

All dates are with Non Canon
*dates are with Helen Chambers too
Tickets are hopefully available already, from wherever places normally do tickets.

Thanks massively to the XMR gang and to Barry Dolan for getting the record & tour off the ground.

Hitting publish on this post and actually telling people about it marks the end of a long road for me, though hopefully not the kind of road that your sat nav guides you down, swearing blind that this is the way to Leeds and all of a sudden you're in the sea. Hopefully at the end of this long road, there'll be ice cream.

To ice cream,
Ben

Sunday, 20 November 2016

2016: Two shows to end the year

November is here and nearly done.

As soon as the temperature drops and the nights draw in, time flies by, as if time exists in proportion to sunlight. Still, in a couple of days my (gigging) year really will be over, as I play the final shows of 2016:

Tuesday 22nd Nov: Joiners Arms, Southampton (tickets)
Thursday 24th Nov: Upstairs @ the Garage, London (tickets)

Both shows are alongside Xtra Mile's own Northcote and Jon Snodgrass, both of whom I'll be gigging with for the first time. Exciting.

Generally, the year has been good. I mean, the aim was to release the album and maybe do one or two shows, but instead I've managed to get into double-digits for shows and accidentally neglected the album.

The album is done, named and hopefully there'll be real, actual news on it soon. I could, and will, write at length about it once I can tell you more (otherwise I'll just be writing vague nothings) but for now let's just say this: I'm incredibly proud of how it turned out, and I'm working hard to find it the right home. See. Vague nothings.

Take care
xo

Saturday, 10 September 2016

2016: the year of the music

Hello friends,

I write this on Saturday, which as everyone knows was voted Day Most Likely To Be Awesome in its school yearbook. Tonight I'm off to see PUP in Kingston with my friend Emma D, and during the day I'm sifting through a longlist of 51 songs for this week's (40/45 minute) podcast over at editradio due on Tuesday, which is a new podcast record. Fifty-one!

Anyway, Emma and I were also trying to see PUP yesterday (London) and Sunday (Southampton), but both those shows sold out. I'd like to see Pinegrove, a new band I'm really into, on Tuesday in London but sure enough that's sold out too. So instead, I thought I'd start this blog by hailing how excellent 2016 has been for music so far, highlighting the kind of thing that's been filling my ears over the past nine months (though admittedly, some of it was from the tail end of 2015) and generally enjoying the annual rebirth of the music industry as another festival season gets the fuck out of the way, new music starts popping up again and our favourite acts hit the road to play venues which are clearly just too small. Not that I'm any one to talk.

If everything's gone to plan, there'll be a Spotify playlist at the bottom of this page. Listen, enjoy, shuffle it or don't do any of that. But there, I've done my bit to keep recorded music alive for another week. If you like any of it, I encourage you to purchase it.

Of course, what's really been in my ears these past few weeks is the new album. I finished recording my parts in July, all the other stuff got done in the first week of August and we hotfooted over to Old Blacksmiths on the outskirts of Portsmouth to start the mixing process with the emphasis on getting it right instead of just getting it done. A month later and it's all coming together and the artwork is in progress (well, kinda - trusted artist Cat has decided to give birth to a little human which not only takes up her time, but who she also refused to name either Naismith or Lukaku, a blatant sign of disrespect). Once the mixes are done, we'll sort out the track order, cull the worst bits and send it off to be decorated with cream and berries or whatever actually happens during the mastering process.

I'm not unhappy about the prospect of the album not being here yet - as we've already covered, 2016 has had its fair share of excellent records and there are plenty of other shows to go to so I'm not bothered about delaying releasing, touring and generally promoting an album for a little while longer. The general state of my day-to-day life is OK, but deteriorates quickly if I don't look after myself, so the prospect of daily travelling, late nights, hard floors, irregular meals and a forty-plus minute nightly stage workout is something which I will happily postpone if I can. I'll get there, though.

Album (still unnamed) is sounding great although the events surrounding this one mean it's the actual act of recording and releasing it which is significant to me, not how the damn thing sounds. I could overdub it with screaming goat noises and still be happy with it though I should highlight that fans of screaming goat noises will probably be disappointed on first listen.

In the meantime, after one show in 2015 my goal for 2016 was ten shows, and I'm up to nine right now with two more to be announced shortly, so I guess we hit that goal. Give me a huge hello if you see me in any of the following places this Autumn:

SEPTEMBER
24 Bristol Louisiana (SOLD OUT)

OCTOBER
16 Southampton The Joiners (tix)
24 London Tooting Tram & Social (tix)

The other two shows will be in November and will be announced shortly, though anything outside of the South won't be happening until next year now.

Thanks to everyone who has made the shows so far so special, including an incredible (if technically inept) 2000Trees set, a roasting Reading show back in June and some fun under the railway arches at House of Vans with Frank Turner, Sam Duckworth and Ben Morse (thanks folks).

In the meantime, here's fifty minutes of my favourite songs of 2016 And The End Of 2015, for your Spotify ears. Athankyou:

https://open.spotify.com/user/benmarwood/playlist/5H7lHVTfl3hZfi0ar3eQFa

Saturday, 16 April 2016

Two whole shows!

Rejoice! Rejoice! We have survived the potential frostbite of another winter, and the death by chocolate of another Easter. Spring is here, summer is coming, life is good.

The other day I got an email from Kyle MacFarquharson, who reminded me that:

a) I haven't posted here lately

and also:

b) Kyle MacFarquharson has a really cool name

Anyway, here's a blog post about a couple of shows I have coming up.

Shows:
23.04.16 READING Are You Listening? festival website
05.05.16 LONDON Camden Monarch website


Oh you want posters? We have posters:






















Obligatory album update:

Drums? Done!
Bass? Done!
Acoustic guitar? Done!
Electric guitar, vocals, piano and assorted gumpf? Ehhh, not yet.

xx

Saturday, 30 January 2016

OTAC is 5 today (and yours for free)

"Hey, Xtra Mile?", the phone conversation began, "It's me, Ben Marwood. Outside There's A Curse is five years old at the end of January and I'd like to give it away for free."

Actually come to think of it, this was all over email. I'm rubbish on the phone. Anyway, after some discussion about what kind of 5th birthday party I was going to throw it (a superhero party was agreed), and after I had overcome the sudden, inexplicable urge to eat jelly and ice cream, Xtra Mile gave the go-ahead, and here we are.

Today, 31st January 2016, my debut album from 2011 is entirely, spectacularly free from Bandcamp for the whole 24-hour UK time period.

Outside There's A Curse is, as far as Ben Marwood albums go, pretty popular. It was my first Xtra Mile release, it was reviewed in Kerrang! which in my eyes makes an Actual Album, it has 'Singalong' on it, it has the Postal Service cover on it and even as a man who is often sick of hearing his own songs in recorded format before they're even finished being recorded, I can listen to OTAC all the way through without accidentally clawing my own eyes out.

I'm very proud of it, but apparently not everyone in the world has heard it. If you don't own it already, this is your chance.

Go get it here, and spread the word:

Outside There's A Curse (link expired)